Wendy Eisenberg is an improvising guitarist, banjo-player, vocalist and poet. Using the languages of free jazz, new music, extreme metal and art song, her music sets to pose and expose the questions surrounding the human body in the world and the representational and technical demands placed on it in artistic practice.
She has written and performed in numerous projects, including the critically acclaimed experimental band, Birthing Hips, described by NPR as “brainy, noisy punk based in sonic adventure, technical mastery, and rejection of the status quo." Her work as an improviser has led to collaborations with Ted Reichman, Joe Morris, Damon Smith, John Zorn, Travis LaPlante and Zach Rowden, among many others. Eisenberg has premiered work by John Zorn, Maria Schneider, and Bill Holman, as well as the work of her many peers.
In addition to her work as a collaborative artist, she has two solo careers: improviser/composer, and songwriter. Wendy’s debut record as an improviser will come out on the esteemed label VDSQ in 2018. Her “songs” album, Time Machine, released on HEC Tapes in April 2017, will be re-released on Feeding Tube records in the spring, and she is slated to release a new song cycle summer 2018.
Wendy has provided soundtrack work for the scientific projects of MIT Media Lab fellow and scientist-artist Ani Liu. Her poetry has been set into a large scale work by Matt Curlee, premiered at the Eastman School of Music in 2014. Her writings on music can be found in John Zorn’s Arcana VIII: Musicians on Music, and on the websites Jazz Right Now and Free Jazz Blog.
Eisenberg's music can be found at wendyeisenberg.bandcamp.com and birthinghips.bandcamp.com.